August 25, 2026 
One4Review
If you’re looking for an emotional rollercoaster, Kirsty Munro delivers just that. Packed with awkward moments, unexpected turns and plenty of jokes along the way. I thoroughly enjoyed this set, as did the rest of the audience on that rainy Fringe afternoon in the Grassmarket. There was a wonderfully relaxed atmosphere in the room, with Munro quickly establishing an easy rapport with the audience and making the material feel conversational and personal.Her dance skills alone are worth the price of admission; I don’t think I’ve ever seen a ‘slut drop’ performed with such unique enthusiasm. It’s the sort of wonderfully ridiculous moment that captures what works about the show: Munro is clearly willing to throw herself into the material, both literally and figuratively, and there’s a likeable sense that she doesn’t take herself too seriously.The way the performance transitions into a lighthearted exploration of neurodiversity, feminism, and relatable real-world antics is what makes the show so enjoyable. Rather than feeling like a lecture, these themes are woven naturally into stories and observations, giving the audience plenty to laugh at while still leaving them with something to think about.Munro’s biggest strength is perhaps the sense of authenticity she brings to the stage. The comedy feels rooted in genuine experiences rather than carefully constructed for effect, and that gives the more personal material an appealing warmth. Even when the subject matter becomes more thoughtful, the show never loses its playful energy.Comedy rooted in genuine experience and delivered by a talented performer is always a welcome addition to the Fringe. There’s a good mixture of silliness, awkwardness and more reflective moments here, making for an entertaining way to spend an afternoon. Kirsty Munro is clearly a performer with plenty to say and an engaging way of saying it, and I hope to see her become a regular fixture at the Fringe in years to come. Click Here For Review